I have a range of clients that I work with from my studio.
        After an initial brief I will produce a film then upload that film to the client
        for revisions/approval!
        On approval I then work on the grade/fxs and audio to produce a final full HD HQ ProRes
        master.
        or any format of your choice.
        This can reduce the post cost of your project.

• Final Cut Pro 7 for video and film editing
• Motion 4 for motion graphics and animation
• Soundtrack Pro 3 for audio post-production
• Color 1.5 for colour grading and finishing
• Compressor 3.5 and DVD Studio Pro 4 for digital delivery virtually anywhere - Apple devices, the web, and disc

        Precision editing tools let you work in real time with virtually any format, including the revolutionary ProRes.

• Edit faster and at higher quality across a wide range of workflows with new additions to the Apple ProRes family.
• Share your projects in one click to your Apple devices, the web, Blu-ray Disc, and DVD.
• Collaborate in real time from anywhere in the world with support for iChat Theater.
• Change clip speeds with ease using redesigned speed tools.

        Powerful text and compositing tools make it easy to design stunning motion graphics in 2D and 3D.

• Add realism to 3D compositions with dramatic shadows and realistic reflections.
• Create selective focus effects in 3D space with new depth-of-field controls.
• Create and edit credit rolls with ease.
• Camera Framing enables one-click object framing in 3D.
• The new Adjust Glyph tool provides total control for manipulating characters in text objects.

        Easy-to-use tools for sound design, editing, and mixing bring professional audio post-production to Final Cut editors.

• Voice-level match lets you seamlessly match dialogue volume across your project.
• The enhanced File Editor makes it even easier to work with multichannel files and edit selections in the Frequency Spectrum view.
• Advanced time stretch lets you stretch and compress audio with unprecedented precision.

        Sophisticated colour grading tools let you create signature looks in resolutions up to 4K.

• Seamless integration means you can now send most long, complex sequences directly to Colour from Final Cut Pro without any preparation.
• Grade and render at 4K resolution for maximum quality.
• Work natively in high-end formats such as Sony XDCAM HD 422 (50 Mbps) and Panasonic AVC-Intra, or use the new ProRes 4444 format for grading with maximum colour information.